Price: £4.99
Format: Vinyl
Artist: Plenty
CatNo: KAR141LP
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Plenty It Could Be Home Vinyl Tim Bowness
Black vinyl edition in gatefold with striking artwork by Carl Glover
Formed in 1986, Plenty was Tim Bowness’s immediate pre-no-man band.
In 2016 and 2017, Bowness and fellow founder members Brian Hulse and David K Jones re-recorded Plenty's catalogue of 1980s songs.
Distinctively echoing then contemporary artists such as The Blue Nile, It's Immaterial and Prefab Sprout - alongside the iconic likes of David Bowie, David Sylvian and Peter Gabriel - Plenty’s music alternated between anthemic pop, poignant ballads and ambient experiments.
A meticulous labour of love and a fascinating hidden history, It Could Be Home was mixed and instrumentally augmented by Norwegian producer Jacob Holm-Lupo (White Willow). 
Mastered by The Pineapple Thief’s Steve Kitch, former Plenty guitarist Michael Bearpark, pianist Peter Chilvers (Brian EnoKarl Hyde) and no-man violinist Steve Bingham also contribute.
‘A tender unscreened pilot episode for no-man: The Series. One of those rare occasions when someone else’s old photo album is fascinating.’ - Prog Magazine


Side One:
1. As Tears Go By (3.32) 
2. Hide (5.10)
3. Never Needing (4.10)
4. Broken Nights (6.15)
5. Foolish Waking (3.52)
Side Two:
1. Strange Gods (4.45)
2. Every Stranger’s Voice (4.15) 
3. Climb (3.53) 
4. The Good Man (5.02) 
5. It Could Be Home (5.09)
Produced by Plenty
Mixed by Jacob Holm-Lupo
Mastered by Steve Kitch at Audiomaster
Cover artwork and photography by Carl Glover at Aleph
Tim Bowness - Vocals / Backing Vocals
Brian Hulse - Keyboards / Synths / Guitars / Drum Programming / Backing Vocals (on It Could Be Home)
David K Jones - Bass / Bass Pedals
Michael Bearpark - Guitar (on Foolish Waking and Every Stranger’s Voice)
Steve Bingham - Violin (on Never Needing)
Peter Chilvers - Keyboards (on Never Needing, Foolish Waking and Every Stranger’s Voice)
Jacob Holm-Lupo - Backing Vocals (on As Tears Go By) / Additional Drum Programming (on Hide) / Additional Keyboards (on Strange Gods, Every Stranger’s Voice and The Good Man)