Taking the music to new levels of clarity & power. ‘Red’ was one of the earliest mixes undertaken by Steven Wilson in 2009 & King Crimson was the first of a number of classic bands & artists to be mixed by Steven so it’s entirely appropriate that he return, some 15 years later, to take the album into the Dolby Atmos era. 

 

Whilst mixing the album for Dolby Atmos, Steven also prepared new stereo & 5.1 mixes. 

 

As King Crimson biographer Sid Smith puts it in his new notes for the album: “David Singleton’s elemental mixes pull the veil aside on the original sessions and act as a kind of alternative account, a Red that could have been, revealing the different passes and takes that the band undertook as well as those Collins, Charig and McDonald as they engaged with the material”. 

 

In the decades since its release, Red has gone from being an album that was, upon release, under-promoted – as the band had already split up, to being one of the most lauded albums of its era & (after In The Court of the Crimson King), King Crimson’s biggest selling album. Writing in The Mojo Collection in 2000, John Bungey assessed Red as “that rarest of records, the sound of a line-up quitting while ahead”.

 

As guitarist Steve Vai – a man about to undertake playing some of Fripp’s parts in Beat – a band devoted to playing King Crimson material - wrote in his online diary about the mid-1970s King Crimson (amidst a much longer piece eulogizing the band): “It’s impossible to quantify the effect that this band has had on contemporary musicians” –  Steve Vai, July 2004