Les Disques du Crepuscule presents a new double disc remaster of two seminal albums by German synth wave pioneers Gina X Performance, whose groundbreaking singles Nice Mover, No G.D.M. and Kaddsh remain enduring electroclash staples after four decades of club supremacy.

 

Remastered for vinyl in 2021 by Zeus B. Held and Lars Lafeyette Fassbender, the double album set is housed in a gatefold sleeve with new artwork and pressed on clear and green vinyl. This pressing is limited to 1000 copies only. The inner sleeve features a brand new interview with Zeus.

 

“Pioneering electro-pop from 1979 with hints of Kraftwerk, Nico and Studio 54-era Grace Jones.” - Mojo

 

Purchases through Burning Shed come with a download of full album (available in Your Account).

 

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Formed in Cologne in 1978, the core of Gina X Performance composed vocalist Gina Kikoine and producer/keyboard/vocoder wizard Zeus B. Held. ‘I had in mind science fiction-inspired tracks,’ explains Zeus. ‘Really cold sounding music, with no blues-ey chords or melodies, no guitar and nothing rocky.’

 

Originally issued on German imprint Crystal 1979, icy, noirish debut album Nice Mover spawned two radical Eurodisco hits, with gender-bending single No G.D.M. becoming a firm favourite at the legendary Blitz Club in London’s Soho. At the same time Zeus B. Held also became an in-demand producer, working with John Foxx, Fashion, Rockets and Dead or Alive.

 

The third GXP long player, Voyeur, from 1981, followed a brief spell on EMI and saw the duo return to their experimental, avant-gardist roots, the material by turns seductive, provocative and confrontational. Since then countless electronic artists have acknowledged or betrayed the influence of Gina X Performance, including Depeche Mode, Propaganda, Ladytron and Peaches.

 

Critical praise for Gina X Performance: “Pioneering electro-pop from 1979 with hints of Kraftwerk, Nico and Studio 54-era Grace Jones” (Mojo); “Like an artier Moroder” (Uncut); “No G.D.M. is one of the most influential songs to come out of the Continent” (Q); “Disco for the intellect” (NME)